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#16 Finding Joy in the World of Paintings: From Modern Art to Art Galleries - My Latest Interview with Ayaka Wada(2/3)


How do you go about finding new inspiration at art museums, Ayaka?
“Even when you’re standing in front of an artwork that you might think is a little to difficult to understand, I think it’s best to just keep an open mind and take another step forward. It worked for me recently with 20th century Austrian painter, Oskar Kokoschka, and now I’m hooked on his works. When I first saw his works I was like, “No, this isn’t for me,” and I was about to move on. But then I thought, no, I’ll at least make an effort, and so I took a step forward towards the painting and instantly it was like a whole new path had opened up before me. I fell in love with it and now I’m hooked. Of course I don’t think it’s essential to like all paintings out there. I still don’t understand the works of Mondrian or De Chirico. Even if I’m told what Mondrian’s works are of, I still don’t get it. But I’m sure that one day I will understand. That’s one of the joys of art. After studying art history at university for a year, there’s still so much I have to do and I know I still have a lot to learn. It’s the first time in my life that I’ve been so fixated on the one thing for an entire year. And it’s strange because I was so reluctant about studying when I was in middle school. But now I love to study.”
“Even when you’re standing in front of an artwork that you might think is a little to difficult to understand, I think it’s best to just keep an open mind and take another step forward. It worked for me recently with 20th century Austrian painter, Oskar Kokoschka, and now I’m hooked on his works. When I first saw his works I was like, “No, this isn’t for me,” and I was about to move on. But then I thought, no, I’ll at least make an effort, and so I took a step forward towards the painting and instantly it was like a whole new path had opened up before me. I fell in love with it and now I’m hooked. Of course I don’t think it’s essential to like all paintings out there. I still don’t understand the works of Mondrian or De Chirico. Even if I’m told what Mondrian’s works are of, I still don’t get it. But I’m sure that one day I will understand. That’s one of the joys of art. After studying art history at university for a year, there’s still so much I have to do and I know I still have a lot to learn. It’s the first time in my life that I’ve been so fixated on the one thing for an entire year. And it’s strange because I was so reluctant about studying when I was in middle school. But now I love to study.”


Ayaka and I often talk about the art museums overseas as well. When I’m on one of my cultural diplomacy trips, if I’m in Paris or New York for example, and if I have time, I will visit the art museums there, but it’s always with a guilty conscious because I know how badly Ayaka wants to visit the Musée d'Orsay and The Museum of Modern Art (MoMA).
“The art museum I want to visit most would have to be the Musée d'Orsay. Once I arrive at the Musée d'Orsay, before I go in and see any of the works on display, I think I will probably spend 10 minutes outside just reveling in the fact that I actually made it there. You told me once that the first work you see is Ingres’s “La Source,” right, Sakurai-san? Just imagining that alone makes me feel like I’m about to lose it. I would probably be beside myself with each artwork. But that sounds exhausting; I would probably be ready to pass out by the end of it (lol).
I know Rembrandt’s house in Amsterdam has been converted into an art museum, and that’s one place I definitely want to visit one day. I want to breathe the same air that Vermeer and Rembrandt breathed in Holland! I want at least an hour just breathing in the Holland air (lol).”